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Tuesday, March 07, 2006

Number 34 in your program, Number 1 in your hearts


I’ve never been the kind of sports fan that felt compelled to collect signed memorabilia. When I was young I had a baseball card collection, but I wasn’t the kid that had them tucked away in hermetically sealed plastic to preserve their value. My baseball cards had wrinkled edges and cherry-coke stains on them because I was always using them to play imaginary games on my bedroom floor. I’m not even sure where they all wound up, but there is a reasonable chance that they suffered the clichéd demise of being tossed out by my mom sometime during my teen years. The one piece of sports ‘junk’ that I keep around my apartment is a baseball signed by Kirby Puckett. When I heard on the radio this morning that he had died, I was reminded of why the baseball meant enough to me to still be sitting on my desk almost twenty years after it had been signed.

Growing up in the Minneapolis/St. Paul suburbs, everyone loved Kirby Puckett. He was our Michael Jordan. He was our Wayne Gretzsky. He was our ‘Puck’. In 1987 he led the Twins to their first Championship. In 1991, he did it again, and his Game 6 performance is known even to non-Minnesotans as “The Puckett Game”. But we didn’t love him because of his ability. An athlete can be admired for his talents, but to be loved is something else entirely. We loved him because of the way he played the game like a little leaguer. Part of it was the smile. He never stopped smiling. I remember him standing on first base after getting a single, laughing and smiling with the opposing first baseman. I remember him jogging back to the dugout, grinning after stealing a homerun by bouncing off of the center field wall like a pinball. He always looked like he had just realized that someone was paying him to play baseball.

The kids loved Kirby because of how he looked, too. He was almost one of us. He was 5 feet, 8 inches, 230 pounds of kid, scooting around the Astroturf in center field like a roadrunner from the Robert Taylor Homes. Most center fielders have some grace about the way they play, or at the minimum some obvious athleticism that colors their movements. To a kid accustomed to running and jumping like a normal human being, a professional baseball player roaming a gigantic expanse of outfield turf is a magical being. A Titan with a thunderbolt for an arm, legs like a gazelle, and power the other way. But Kirby was funny lookin’. He was squat. He was the fat kid, the one that waddles everywhere he goes. If he was standing still you would wonder what the third base coach was doing in the middle of the outfield with his gut hanging over his belt. He didn’t look like he should be able to do the things he could do. When he jumped out of the batter’s box and took off down the first base line, he transformed from a pudgy kid into a cartoon hero, and you knew that he was going to be safe at second, because the coyote never catches the road-runner. Watching him play the outfield from the cheap seats, he sometimes appeared to have no legs. Just a gigantic head sitting atop a round pile of uniform. His legs were just a blur. And then he’d have the ball for an instant before it was rocketing back into the second baseman, leaving imaginary vapor trails behind it.

When I was nine I waited in line for 4 hours at the local Shinder’s baseball card and comic book shop to have Kirby autograph a baseball for me. He was only supposed to be there for 2 hours, but when the time ran up and the line was still out the door he kept signing. I don’t know how long he sat there, but when I finally reached the front of the line two hours after he should have been gone he was still smiling and laughing, patting kids on the head and giving out high fives. I don’t remember if I said anything to him, but I can remember how he seemed to be enjoying sitting in the chair and signing his name a billion times.

Puck went blind in one eye, and had to retire before he was ready to be done. He was 36, but he was still at his peak. He always said that he didn’t regret how his career ended, but he fell on hard times. The midget super hero ran into legal troubles. He became obese. His wife left him. When he was photographed at a benefit or a charity golf tournament the smile wasn’t the same. And even though I’d never known him, and I don’t usually relate to celebrities, I felt sorry for him. He’d brought so much happiness to me and so many other kids in the 80s and 90s in Minnesota that it did seem right for him to be so unhappy.

Before I left for work today I took the baseball Puck signed for me when I was a kid out of the plastic shell it rests in on my desk. I’m not sure why I keep it in the case. The ball is a little marked up and dirty from sitting in a mitt for a few years and the bottom of the ‘y’ in Kirby is smeared. I don’t think I’d be able to sell it now, even though he’s a dead Hall of Famer. Not that I’d want to.

Looking at the baseball I had signed halfway across the country, 20 years ago, made me feel old. Thinking about a puffed up Kirby Puckett dying of a stroke at the age of 46 made me feel mortal. I sat there for a minute, thinking about what a fucking depressing way that was to start the day. I wanted to go back to bed.

I know it sounds cheesy and trite, but I pictured Puck catching a ball and then bouncing off the plastic baggie/wall they used to put up in left-center field because the Twins shared the Metro Dome with the Vikings, and it made me feel better. I thought about the way the PA man, Bob Casey, used to call his name when he came up to bat. “Batting third, for your Minnesota Twins, number 34, KiiiiiirbEEEEEEEEEEEEEE PAAAAAAAACKIIIIIIIIIIIIIT!!!!!” I could hear it in my head, and it sent a chill up my spine. I finally put the ball down and drove into work.

I’ve been sitting here all day, trying to get some work done, but it’s not going so well. I keep daydreaming like a little kid, thinking about baseball and Puck. And damned if I wasn’t craving a Dome Dog with relish and mustard for lunch.

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Monday, February 06, 2006

Hurley has good taste in music

" I guess I heard about original sin,
I heard the dude blamed the chick, I heard the chick blamed the snake."

- The Hold Steady



I should have written about The Hold Steady last Thursday, but I was hung-over. I'm also lazy. But if anyone read this blog, I would be doing them a disservice by not getting in the wayback machine and revisiting the show last Wednesday.

The Hold Steady is like your favorite bar band with 10 times the musical talent, poetic songwriting, and a penchant for the kind of dirty fingernail Americana that The Boss used to sing about before he became too successful to run in those kind of circles. Craig Finn sings/speaks/white-guy-raps stories about suburban Minneapolis drug dealers and conversations about the bible set in the Tampa Bay party district. He tells these stories while the band bangs out excellent, straight forward, rock ‘n’ roll and he gesticulates like some kind of sign language interpreter with a meth habit. While some people find his voice to be nasal I don't see it, particularly in the live show. I think trying to add 'real' singing to the overall sound The Hold Steady have going would be a mistake. Finn's voice is unique and it meshes nicely with the surprisingly subtle ‘dive-bar rock’ sound they have. I think you'd need a set of really gravelly pipes like the aforementioned Springsteen to pull it off.

The crowd at the Black Cat wasn't nearly as raucous as they should have been. I think part of the reason for the lack of energy was the surprising number of 18 plus-ers I noticed in attendance. I connect to The Hold Steady because they sound great, they sing about my home town, and they make me want to sit at a smoky dive bar. It didn't occur to me that they would appeal to the high school set until I looked around the Black Cat and realized I would have to be careful about buying a round without contributing to the delinquency of a minor. Once I had noticed the little-uns, the reason was self-evident. A good bit of the story in the songs revolves around teenage outsiders etc... It doesn't matter that most of the kids in the Black Cat carried themselves like they bought their clothes at Needless Markup with dad's credit card and can only relate to the how of the drugs in Finn's songs and not the why. The point is that these kids are too cool to give any energy back to the band, even if said band is putting on one of the best shows they are likely to see in a venue as small as the Black Cat.

To be fair, I think that a second factor contributed to the atmosphere being other than the beer soaked mayhem I had been hoping for. It was a week night. The Hold Steady probably hears more cheering than clapping at shows because they practically cry out for you to listen with a beer in one hand and a smoke in the other. It would appear that not all the working stiffs in DC share my fortitude/stupidity when it comes to the week night concert. Too bad for them. Not over serving yourself a little at a Hold Steady show is like going to the Minnesota State Fair and not eating cheese on a stick. You just don’t do it.

The show itself was phenomenal. There’s a gutter poetry in the lyrics that almost teeters on cheesy calculation in the album, but there is no insincerity to be found in the live show. From the spastic lead singer to the gospel organ riffs, the music and performance are honest. The band played a few songs from their first album, sticking mostly to the stuff from Separation Sunday. “Stevie Nix” and “Chicago Seemed Tired Last Night” stood out in particular among a set that didn't have any sag to it. They hit a few brand new tunes, as well, playing a song about poet John Berryman that was called “In Between Stations”. It was tough to pick out all the lyrics, but it left me optimistic that they haven’t used up all their karma on this album. They played a mean set and I’d love to see what they can do with a crowd that really gets behind them.

So, to Craig and the rest of The Hold Steady (because I’m sure they troll the interweb for reviews written in blogs with a weekly readership of 12) I’d like to say that I’m sorry DC seemed tired last Wednesday night. Come back and do a Saturday show for the drinking crowd and we’ll make it up to you.

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